Rock/Review Bellhead - Threats
Bellhead has been described as Chicago’s favorite (and only) post-punk, goth, and industrial demolition bass duo. The band consists of high bass/lead vocalist Ivan Russia partnered with low bass/vocalist Karen Righeimer. In just a few short years, Bellhead has become a fan favorite with multiple recordings, remixes by industrial industry classics, and multiple US tours.
The Chicago-based post-punk/industrial duo Bellhead makes an exciting comeback with their new EP “Threats,” a daring and engrossing compilation that both pays homage to their hallmark sound and ventures into uncharted creative territory. This seven-track EP, which was released by Oppressive Sky Records and includes two remixes and five brand-new tracks, provides a well-crafted, emotionally charged experience that reinforces the reasons Bellhead has developed such a devoted fan base.
The raw, pulsating energy of the title track, "Threats," which was initially hinted at on Bandcamp, sets the mood. It serves as an immediate reminder of the band's unadulterated strength and ominous sound style, which is based on creepy atmospherics, haunting voices, and grinding bass rhythms. But the songs and production have a fresh depth that reflects the band's development since their 2023 release “Good Intentions.”
Threats seems carefully crafted yet never overly polished, thanks to Neil Strauch's engineering and Carl Saff's mastery. With new artistic twists and references to post-punk, industrial, and gothic rock, each track pulses with intensity. Additional depth is added by the remixes, which present different perspectives on Bellhead's evocative world.
The most remarkable aspect of “Threats” is the way it strikes a balance between vulnerability and assertiveness. The EP's stories, which depict the precarious intersections of power, fear, and connection, are full of emotional tension. “Threats” is a gripping release that won't let go, regardless of how long you've been a Bellhead fan or how you found the band for the first time. It's a statement from a band that is obviously still developing.