Classical/Review KSS - Magnificat
Kvindelige Studenters Sangforening (KSS), The Women’s Choral Society of the University of Oslo, was founded in 1895 and is the official female choir of the University of Oslo, Norway. Despite its advanced age, KSS is a young choir consisting of approximately 50 singers. As the world’s oldest academic female choir, KSS has played an important role in relation to the university and the women’s cause.
"Magnificat" by KSS stands as a breathtaking choral album that unveils the profound and powerful journey of Mary, as described in the Gospel of Luke and Catholic Church liturgy. Ellen Andrea Wang, the double bassist, composer, and vocalist, makes her debut as a choir composer with this exquisite collection, showcasing her remarkable talent and deep emotional connection to the subject matter.
The album unfolds with a majestic atmosphere, immediately immersing listeners in the sacred essence of the narrative. The choral arrangements, meticulously crafted by Wang and Kjetil Bjerkestrand, bring to life the emotions, reflections, and spiritual depth encapsulated in Mary's journey. The compositions not only showcase a deep understanding of choral dynamics but also a profound reverence for the source material.
Ellen Andrea Wang's dual roles as a vocalist and bassist add a unique dimension to the album. Her vocal contributions, combined with the choir's harmonious resonance, create a celestial tapestry of sound. The choral arrangements, at times ethereal and at times commanding, enhance the spiritual and emotional impact of the narrative, inviting listeners to embark on a contemplative and immersive experience.
The texts drawn from the Gospel of Luke are delivered with precision and authenticity. The lyrics capture Mary's anticipation, joy, and contemplation as she grapples with the profound responsibility of giving birth to a child. The choral performance effectively conveys the emotional nuances of the sacred texts, creating a connection between the listener and the timeless story.
The inclusion of saxophonist Hanna Paulsberg adds a delightful layer to the compositions. Paulsberg's saxophone resonates with sensitivity and artistry, complementing the choral arrangements with subtle and evocative tones. The interplay between the saxophone and the choir creates moments of contemplation and introspection, enriching the overall listening experience.
The production of "Magnificat" is pristine, capturing the nuances of each vocal and instrumental element. The album achieves a perfect balance, allowing the choral arrangements, saxophone, and Ellen Andrea Wang's bass to coalesce seamlessly, resulting in a sonic tapestry that transcends traditional boundaries.
As a conclusion, KSS’s "Magnificat" is a great choral work beyond musical genres that touches a person’s soul. Ellen Andrea Wang’s foray into choir composition is a success and the album is a true representation of her artistic competency. With the choir harmonies and an evocative saxophone, "Magnificat" leads listeners on a sacred journey that illuminates Mary’s path. This is a true testimony of how music transforms through passion, respect, and commitment to excellence in art.